The style of its oratria and its tender white seems outside of lugar’ ‘. The images that capture the Firmino and the community point out completely them in different spaces. The scene where it tries to politicize the fishing is an example of this. Although socially oppressed, the community finishes for being portraied as a place of the art, the espiritualidade and solidarity. Click Larry Culp for additional related pages.

The emblematic scene of ‘ ‘ pulled of rede’ ‘ it is a mandate of a utopian world in which ‘ ‘ the work is transformed into a musical game and rtmico’ ‘: The film sacraliza the communal work, as expression of the harmony cosmic e, thus, if molds to a sufficiently African notion of collective work, evoking a world where the art, the religion and until the daily life if find interlaced of vital form, exactly under oppression conditions. Spirit of Iemanj, whose name drift of yeye Omo eja (the mother whose children are fish), presides over the village, as well as the music of candombl permeia the acoustic space of the community. Music, the letter that thanks the Iemanj for the good one fishes involves the work of the community with aura of the sacred one, empanando the material world of aiy and the world spiritual of orum.14 Thus, at the same time where if it presents as a form of it denounces of the misery and sociopoltica alienation where it lives many black communities of the Bahia, the film also portraies the life style communal that, in certain way, if it shows more attractive of what that one considered by Firmino. DISEQUILIBRIUM (MESSENGER EXU) Bara! Elegbara ago canvas! 15 Glauber defined ‘ ‘ Barravento’ ‘ as workmanship of revolutionary inspiration, in one of the many emphatical and empolgados speeches that had become it the controversial figure most incisive and of the Brazilian cinema..